Director: Patty Jenkins
Starring: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, Danny Huston, Elena Anaya, David Thewlis
Since first appearing back in 1941, Diana, princess of the Amazons, also known as Wonder Woman, has been one of the most iconic members of DC Comics’ stable of characters. Yet for some reason (can anyone hazard a guess?), while there have been eight Batman movies, and seven Superman movies, Wonder Woman has never been given her own feature film adaptation. Until now. As well as being the character’s first movie, Patty Jenkins’ Wonder Woman is also the first film in either the DC or Marvel cinematic universes to have a female protagonist, and is both the first superhero movie and first blockbuster with a budget of over $100 million to be helmed by a female director. All of this means that Wonder Woman will be unfairly saddled with the burden of representation, with many people ready to make sweeping generalisations about the commercial viability of female centric and female directed blockbusters based on its performance. Luckily then, Jenkins’ film is not only good, it is exactly the shot in the arm that the much maligned DC Extended Universe needed. Continue reading
Director: James Mangold
Starring: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Richard E. Grant
After 18 years and eight appearances, Hugh Jackman has decided the time has come to say goodbye to the role that made him a star, and for his final outing as Wolverine he is going out with a bang. Logan is tonally, visually and thematically unlike any of the previous films in the X-Men franchise – it is arguably unlike any previous film in the superhero genre – and proves to be a fitting ending for this iconic iteration of the character.
The year is 2029 and mutants are a dying breed, with no new mutants having been born for decades. Logan (Hugh Jackman) is a shadow of his former self. With grey hair and a scraggly beard he is covered in wounds and scars and walks with a pronounced limp. His regenerative powers are slowing and he is being poisoned from the inside by his adamantium skeleton. Above all though, he is exhausted. Continue reading
Director: David Ayer
Starring: Will Smith, Margot Robbie, Joel Kinnaman, Cara Delevingne, Viola Davis, Jared Leto, Jai Courtney, Jay Hernandez, Adele Akinuoye-Agbaje, Karen Fukuhara
Suicide Squad represents the brave next step in the stuttering DC Expanded Universe as, for the first time, it shifts its focus away from DC’s big two characters, Superman and Batman, instead looking to a band of misfit villains-turned-heroes. Redemption is the theme here. Redemption for these characters and redemption for the studio after the less than glowing reception of Batman vs Superman: Dawn of Justice.
The US government is still coming to terms with the presence of meta-humans in the world after the climactic events of Batman vs Superman. What happens if the next Superman isn’t such a nice guy? Intelligence agent Amanda Waller (Viola Davis) proposes an initiative called Taskforce X. In exchange for reductions in their sentences, a group of highly dangerous but highly gifted criminals in Belle Reve Penitentiary are engaged to fight America’s most dangerous foes. Continue reading
Director: Zach Snyder
Starring: Henry Cavill, Ben Affleck, Amy Adams, Jesse Eisenberg, Jeremy Irons, Holly Hunter, Gal Gadot, Diane Lane, Laurence Fishburne
“Who would win a fight between…” has long been a favourite hypothetical of young comic book fans around the world. So for those boys and girls Batman vs Superman: Dawn of Justice must have sounded like a dream come true. Unfortunately though, if there is one audience this film is not for it is kids. In bringing together the world’s two most iconic superheroes Zach Snyder has made the darkest mainstream blockbuster in recent memory. It is a serious film without an ounce of lightness or humour that seeks to pose ethical and philosophical questions about power, but poor execution leaves it falling short of its lofty goals.
Batman vs Superman is in a number of ways a reactionary film. At an industrial level it is absolutely Warner Brothers and DC’s panicked response to the outrageous success Marvel Studios have had with their interwoven Marvel Cinematic Universe. What was originally supposed to be a straight sequel to 2013’s Man of Steel was seemingly co-opted by the studio to become the launching pad for the DC Expanded Universe. Continue reading