Director: Michael Showalter
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano
The romantic comedy is one of the cornerstones of Hollywood cinema. It is comfortable. It is entertaining. It is delightful. But it is rarely insightful. It is rarely revelatory. It is rarely personal. First-time screenwriters and married couple Kumail Nanjiani and Emily V. Gordon have drawn on their own incredible story of a most unconventional courtship to create just such a film in The Big Sick.
Low level Chicago stand up comedian and occasional Uber driver Kumail (Kumail Nanjiani) meets psychology student Emily (Zoe Kazan) at one of his shows and they instantly hit it off. Over the next few months their romance blossoms, but Kumail, a Pakistani-America, keeps it secret from his family knowing his parents would never approve of his dating a non-Pakistani girl. Continue reading
Director: Christopher Nolan
Starring: Fionn Whitehead, Mark Rylance, Tom Hardy, Jack Lowden, Kenneth Branagh, Tom Glynn-Carney, Cillian Murphy, Harry Styles, Barry Keoghan, James D’Arcy
In May of 1940, the British Expeditionary Force, along with the French army, had been driven back to the Northern coast of France by the Nazis. 400,000 British troops were trapped on the beach at Dunkirk, sitting ducks to aerial attacks. While only 26 miles from home, so close you can practically see it, the shallow waters made it impossible for large vessels to get in and collect them. So the British Navy implemented ‘Operation Dynamo,’ requisitioning all available small civilian vessels – fishing boats, yachts and tugs – to cross the channel and retrieve them. The ‘Miracle at Dunkirk’ is a treasured piece of British history. When their boys couldn’t get home, home came to get their boys. Christopher Nolan’s latest film, Dunkirk, takes this tale and transforms it into immersive cinematic spectacle in a way that only he can.
Dunkirk brings us the story from three perspectives: the mole (as in a pier), the sea and the air. Continue reading
Director: Matt Reeves
Starring: Andy Serkis, Woody Harrelson, Karin Konoval, Steve Zahn, Amiah Miller, Terry Notary, Ty Olsson, Michael Adamthwaite
There is a solid case to be made that the rebooted Planet of the Apes series is the best blockbuster franchise of the 21st century. Other franchises might enjoy higher profiles and bigger box office (Dark Knight trilogy, the Marvel Cinematic Universe, the Harry Potter series), but in terms of consistent high quality, with their combination of incredible technical achievement and effective storytelling, these Apes movies are hard to look past. After the Rise of the Planet of the Apes and the Dawn of the Planet of the Apes, the third instalment, Matt Reeves’ War for the Planet of the Apes, fittingly rounds out this most under-appreciated of blockbuster trilogies.
Two years after the events of Dawn, Caesar (Andy Serkis) and the ape community are living in hiding in the woods. While he has defeated Koba, the rebellious ape who threatened to tear their community apart, Caesar has been left fighting the war with the humans that Koba started. Continue reading
Director: Edgar Wright
Starring: Ansel Elgort, Lily James, Kevin Spacey, Jon Hamm, Eiza Gonzalez, Jamie Foxx
While the beloved ‘Cornetto Trilogy’ of Shaun of the Dead, Hot Fuzz, and The World’s End has cemented writer-director Edgar Wright’s reputation in the British film industry, his footing across the Atlantic has been slightly less solid. His first American film, Scott Pilgrim vs the World struggled to find its market despite being a lot of fun, and then there was the saga of Ant-Man which ultimately saw him walk away from the Marvel project. However Wright’s latest film, the genre bending action, heist, music video Baby Driver, could just be the film to establish him as a Hollywood director.
Nobody drives like Baby (Ansel Elgort). He’s fast. He’s creative. Baby drives to music. In fact, he lives his whole life to music. Continue reading
Director: John Watts
Starring: Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, John Favreau, Jacob Batalon, Zendaya, Laura Harrier, Donald Glover, Tony Revolori, Jennifer Connelly
For almost a decade now Marvel has been the dominant player in the superhero movie market. Bet thanks to a pre-existing licensing agreement with Sony, they have done so without the use of their most iconic character, Spider-Man. While Sam Raimi’s first two Spider-Man films were instrumental in launching Hollywood’s present fascination with superhero movies, Sony’s more recent efforts have paled in comparison to what Marvel has been achieving and left many fans wondering ‘what if.’ However, a recent license sharing agreement between Disney and Sony has seen everyone’s favourite web-slinger enter the Marvel Cinematic Universe fold, and after a scene-stealing appearance in Captain America: Civil War, we now get his first solo outing, the appropriately titled Spider-Man: Homecoming. From the opening moments of the film, in which an orchestral version of the classic Spider-Man cartoon theme song plays over the Marvel Studios title card, there is a palpable sense of glee at having their trump card back in their hand. Continue reading
Director: Lucia Aniello
Starring: Scarlett Johansson, Jillian Bell, Kate McKinnon, Zoe Kravitz, Ilana Glazer
Lucia Aniello’s Rough Night takes a comedy sub-genre that is usually male dominated, the massive party/night out that goes terribly wrong, and flips the genders. The thing is though, that aside from a few notable exemptions the majority of films in this particular sub-genre are terrible. So, true to form, Rough Night is too. Borrowing its central premise – a party derailed by the accidental death of a stripper – from Peter Berg’s 1998 film Very Bad Things, Rough Night is a derivative mashing together of The Hangover, Bridesmaids and Weekend at Bernie’s.
A group of old college friends whose lives have taken them in different directions are reunited after almost a decade for a bachelorette weekend blowout in Miami. The bride to be, Jess (Scarlett Johansson), is in the midst of running for state senate in South Carolina, so isn’t exactly in the mood for a party weekend, but her possessive best friend, now school teacher, Alice (Jillian Bell) is insistent. Continue reading
Director: Raoul Peck
Starring: James Baldwin, Samuel L. Jackson
In 1979, author, intellectual and activist James Baldwin wrote a thirty page treatment for a book to be called ‘Remember this House.’ It was going to be his personal account, describing his experience of the murders of his three friends and fellow civil rights champions, Medgar Evers, Malcolm X and Martin Luther King Jr. However Baldwin ultimately couldn’t bring himself to write the book and he passed away in 1987 having never returned to it. Using Baldwin’s own words, Raoul Peck’s Oscar nominated documentary I Am Not Your Negro sets about trying to bring this unrealised work to life.
While Baldwin is the film’s principal character, I Am Not Your Negro is not a biography. Peck does not concern himself with delivering names, dates, milestones and achievements. If you come into this film without a great knowledge of who Baldwin was and what he did (and as a thirty-something Australian I confess to being far from an expert), you are not going to come out of the film with all of those questions answered. But you will come out with the desire to learn more, because what the film does emphatically show you of Baldwin was that he was a towering mind, a great thinker and powerful debater. Continue reading