Director: Greta Gerwig
Starring: Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Beanie Feldstein, Timothee Chalamet, Odeya Rush, Jordan Rodrigues, Marielle Scott
It is always great when a potent new cinematic voice announces themselves, but as a female, millenial voice Greta Gerwig’s arrival is particularly timely. Then again, ‘arrival’ may be misleading. Over the last decade Gerwig has established herself as a significant figure in the American independent film scene as an actress and screenwriter, first through her involvement in the emerging Mumblecore movement, and more recently through her collaborations with writer-director Noah Baumbach (Frances Ha, Mistress America). However, the confidence and maturity of her first solo effort as writer-director, Lady Bird, has seen it transcend its indie status and capture a level of deserved attention that has previously alluded her.
Christine McPherson (Saoirse Ronan), who prefers to go by Lady Bird, is a senior at Immaculate Heart Catholic girls school in Sacramento who dreams of escaping the city for an east coast college, ”where culture is.” Continue reading
Director: Guillermo del Toro
Starring: Sally Hawkins, Octavia Spencer, Michael Shannon, Doug Jones, Richard Jenkins, Michael Stuhlbarg
Steven Spielberg once suggested that if someone can tell him an idea in a single sentence, it will make a pretty good movie. In the case of Guillermo del Toro’s The Shape of Water, that sentence would be “A mute cleaning lady falls in love with a fish monster.” It’s an unusual sentence, and its an unusual film: a Cold War noir, fairytale romance to be precise. But you know what, Spielberg was right. It’s a pretty good movie.
Elisa (Sally Hawkins) lives in a small Baltimore apartment, upstairs from a cinema. She is mute and lives on her own, but she is not alone. She spends her time watching old musicals on television with her neighbour Giles (Richard Jenkins), a closeted gay artist, and works as a cleaner at a military aerospace research facility with the irrepressible Zelda (Octavia Spencer), who fortunately does enough talking for the both of them. Continue reading
Director: Garth Davis
Starring: Rooney Mara, Joaquin Phoenix, Chiwetel Ejiofor, Tahar Rahim, Charles Babaloa, Uri Gavriel, Twfeek Barhom, Zohar Shtrauss, Ariane Labed, Ryan Corr, Denis Menochet
There have been many films made about the life of Jesus of Nazareth. Some have been good. Others have not. Some have been insightful. Others have crumbled under the pressure of the intimidating source material. Every time we get a new retelling of Jesus story the question needs to be asked: why? What will be different about this one? What will this adaptation tell us that previous ones have not? With Garth Davis’s Mary Magdalene, by focusing on the titular character, it gives us a uniquely female perspective on a tale thats telling is almost always inherently patriarchal.
In the year 561, Pope Gregory declared that Mary of Magdala was a prostitute, conflating her character with another who appeared in the gospel, a misconception which remains to today. Mary Magdalene, written by Helen Edmundson and Philippa Goslett, seeks to reclaim her story. Continue reading
Director: Ryan Coogler
Starring: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Angela Bassett, Andy Serkis, Forest Whitaker
The superhero movie has evolved as a genre over the last two decades, embracing more sophisticated narratives and themes. However despite that progression, it has remained almost exclusively the domain of white, male protagonists. The overwhelming response to Wonder Woman last year showed how empowering it was for women to finally see themselves in positions of strength and agency usually reserved for men. Ryan Coogler’s Black Panther offers that same experience to people of African descent, again pointing to the incredible importance of representation in cinema, particularly in popular cinema. Continue reading
Director: Craig Gillespie
Starring: Margot Robbie, Sebastian Stan, Allison Janney, Julianne Nicholson, Paul Walter Hauser, Bobby Cannavale, Caitlin Carver
Sporting villains don’t come much greater than Tonya Harding. In the lead up to the 1994 Winter Olympics, rival figure skater Nancy Kerrigan was injured in an attack found to have been orchestrated by Harding’s husband. It was one of the most outrageous sporting scandals in history and brought Harding an infamy far exceeding the profile of her sport. For the many who have only ever known Tonya Harding in relation to “the incident,” Craig Gillespie’s I, Tonya serves as interesting background to one of sports most notorious figures. With an entirely different energy to your traditional biopic, I, Tonya is Goodfellas if it were set in the world of competitive figure skating and populated entirely by morons. Continue reading
Director: Joe Wright
Starring: Gary Oldman, Lily James, Kristen Scott Thomas, Ben Mendelson, Ronald Pickup
Sometimes the movies offer up strange coincidences where multiple people have the same idea at the same time. There were two blockbusters about meteorites headed to earth in 1998 (Armageddon and Deep Impact) and two animated movies about insects (A Bug’s Life and Antz). 2013 gave us two action thrillers about attacks on the White House (White House Down and Olympus has Fallen). What is true of blockbusters can also be true of dramas, and we currently find ourselves in the midst of a moment of fascination with the figure of Winston Churchill. In the last twelve months the legendary British Prime Minister has been portrayed by Brian Cox in Jonathan Teplitzky’s Churchill, by John Lithgow in the Netflix series The Crown, and now by Gary Oldman in Joe Wright’s Darkest Hour. Focusing on the difficult first weeks of Churchill’s prime ministership, Darkest Hour also serves as a nice companion piece to Christopher Nolan’s Dunkirk, presenting a different angle on the Miracle at Dunkirk. Continue reading
Director: Steven Spielberg
Starring: Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Alison Brie, Matthew Rhys
What does it say about the world today that Steven Spielberg, cinema’s great dreamer and entertainer, finds himself compelled to drop everything and make an overtly political film? In presenting the dilemmas and decisions behind the Washington Post’s defiance of a court injunction to publish the Pentagon Papers in 1971, The Post is a film about then that is really about now. For if ever there was a time we needed to be reminded of the importance of the press speaking the truth to and about power, of a free press representing the governed and not the government, this is it. Continue reading