Director: John Watts
Starring: Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, John Favreau, Jacob Batalon, Zendaya, Laura Harrier, Donald Glover, Tony Revolori, Jennifer Connelly
For almost a decade now Marvel has been the dominant player in the superhero movie market. Bet thanks to a pre-existing licensing agreement with Sony, they have done so without the use of their most iconic character, Spider-Man. While Sam Raimi’s first two Spider-Man films were instrumental in launching Hollywood’s present fascination with superhero movies, Sony’s more recent efforts have paled in comparison to what Marvel has been achieving and left many fans wondering ‘what if.’ However, a recent license sharing agreement between Disney and Sony has seen everyone’s favourite web-slinger enter the Marvel Cinematic Universe fold, and after a scene-stealing appearance in Captain America: Civil War, we now get his first solo outing, the appropriately titled Spider-Man: Homecoming. From the opening moments of the film, in which an orchestral version of the classic Spider-Man cartoon theme song plays over the Marvel Studios title card, there is a palpable sense of glee at having their trump card back in their hand. Continue reading
Director: Lucia Aniello
Starring: Scarlett Johansson, Jillian Bell, Kate McKinnon, Zoe Kravitz, Ilana Glazer
Lucia Aniello’s Rough Night takes a comedy sub-genre that is usually male dominated, the massive party/night out that goes terribly wrong, and flips the genders. The thing is though, that aside from a few notable exemptions the majority of films in this particular sub-genre are terrible. So, true to form, Rough Night is too. Borrowing its central premise – a party derailed by the accidental death of a stripper – from Peter Berg’s 1998 film Very Bad Things, Rough Night is a derivative mashing together of The Hangover, Bridesmaids and Weekend at Bernie’s.
A group of old college friends whose lives have taken them in different directions are reunited after almost a decade for a bachelorette weekend blowout in Miami. The bride to be, Jess (Scarlett Johansson), is in the midst of running for state senate in South Carolina, so isn’t exactly in the mood for a party weekend, but her possessive best friend, now school teacher, Alice (Jillian Bell) is insistent. Continue reading
Director: Raoul Peck
Starring: James Baldwin, Samuel L. Jackson
In 1979, author, intellectual and activist James Baldwin wrote a thirty page treatment for a book to be called ‘Remember this House.’ It was going to be his personal account, describing his experience of the murders of his three friends and fellow civil rights champions, Medgar Evers, Malcolm X and Martin Luther King Jr. However Baldwin ultimately couldn’t bring himself to write the book and he passed away in 1987 having never returned to it. Using Baldwin’s own words, Raoul Peck’s Oscar nominated documentary I Am Not Your Negro sets about trying to bring this unrealised work to life.
While Baldwin is the film’s principal character, I Am Not Your Negro is not a biography. Peck does not concern himself with delivering names, dates, milestones and achievements. If you come into this film without a great knowledge of who Baldwin was and what he did (and as a thirty-something Australian I confess to being far from an expert), you are not going to come out of the film with all of those questions answered. But you will come out with the desire to learn more, because what the film does emphatically show you of Baldwin was that he was a towering mind, a great thinker and powerful debater. Continue reading
Director: Jeff Baena
Starring: Alison Brie, Aubrey Plaza, Kate Micucci, Dave Franco, John C. Reilly, Molly Shannon, Fred Armison, Nick Offerman
Incongruity has always been one of comedy’s key tools and things don’t get much more incongruous than an American sex farce set in a 14th century Italian convent. Say hello to Jeff Baena’s The Little Hours.
A loose adaptation of Giovanni Boccaccio’s 14th century work The Decameron, The Little Hours tells the story of three young nuns – Alessandra (Brie), Generva (Micucci) and Fernanda (Plaza) – living in a convent in provincial Italy in 1347. Under the watchful eye of Father Tommasso (John C. Reilly) and Sister Marea (Molly Shannon) the sisters go about their daily duties washing clothes, caring for the livestock, making handicrafts for sale at the market, and studying the scriptures. On a trip to the market, Father Tommasso comes across Massetto (Dave Franco), a young servant who has fled his former home having been caught in an affair with his master’s wife. Continue reading
Director: Warwick Thornton
Starring: Warwick Thornton
In 2010, riding high on the success of his debut feature Samson & Delilah, Aboriginal filmmaker Warwick Thornton found himself in hot water when he suggested that the Southern Cross was fast becoming Australia’s equivalent to the swastika. His new documentary, We Don’t Need a Map, which opened this year’s Sydney Film Festival, is his effort to explain those remarks by delving into the historical meaning of the Southern Cross. We Don’t Need a Map is one of four films funded by NITV (National Indigenous Television) as part of the ‘Moment in History’ initiative to mark fifty years since the 1967 referendum which saw Aboriginal people officially recognised as part of Australia’s population. Continue reading
Director: Patty Jenkins
Starring: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, Danny Huston, Elena Anaya, David Thewlis
Since first appearing back in 1941, Diana, princess of the Amazons, also known as Wonder Woman, has been one of the most iconic members of DC Comics’ stable of characters. Yet for some reason (can anyone hazard a guess?), while there have been eight Batman movies, and seven Superman movies, Wonder Woman has never been given her own feature film adaptation. Until now. As well as being the character’s first movie, Patty Jenkins’ Wonder Woman is also the first film in either the DC or Marvel cinematic universes to have a female protagonist, and is both the first superhero movie and first blockbuster with a budget of over $100 million to be helmed by a female director. All of this means that Wonder Woman will be unfairly saddled with the burden of representation, with many people ready to make sweeping generalisations about the commercial viability of female centric and female directed blockbusters based on its performance. Luckily then, Jenkins’ film is not only good, it is exactly the shot in the arm that the much maligned DC Extended Universe needed. Continue reading
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Catherine Keener, Bradley Whitford, LilRel Howery
You have to go back to The Blair Witch Project to find a horror film that has caused as much of a critical stir as Get Out. The debut feature from writer-director Jordan Peele, best known as one half of the sketch comedy duo Key and Peele, has become the surprise hit of the year, having already grossed $215 million worldwide off a budget of only $4.5 million, and has been almost universally praised as one of the year’s sharpest movies.
Chris (Daniel Kaluuya) and Rose (Allison Williams) have been dating for five months. The time has come for Rose to take Chris upstate to meet her parents, but the prospect has him wary. You see, Chris is black, and Rose, who is white, hasn’t thought to mention this to her family. Even though it has been fifty years since Guess Who’s Coming to Dinner, and Rose assures him that both her parents voted for Obama, Chris still thinks it could be an awkward surprise. Continue reading