Director: Jon Watts
Starring: Tom Holland, Jake Gyllenhaal, Zendaya, Jacob Batalon, Angourie Rice, Samuel L Jackson, Cobie Smulders, Jon Favreau, Marisa Tomei, Martin Starr
It might seem odd to suggest that a studio that has dominated the global box office for the last decade and has just recently delivered the highest grossing film of all time could find themselves in a make or break situation. But that is kind of what Marvel Studios are looking at. Maintaining their stranglehold on audiences means reinforcing to everyone that Avengers: Endgame is the end of a chapter, not of the book, and as they venture into a new era for the franchise without Iron Man and Captain America, the two characters who have been their icons, Marvel – in conjunction with Sony -have turned to their traditional trump card: Spider-Man. So with Endgame still in cinemas, the Marvel Cinematic Universe marches on with Jon Watt’s Spider-Man: Far from Home, a film which serves as equal parts Endgame coda and introduction to the next stage of Marvel’s quest for world entertainment domination. Continue reading
Directors: Bob Persichetti, Peter Ramsey, Rodney Rothman
Starring: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, Zoe Kravitz, John Mulaney, Kimiko Glenn, Nicolas Cage, Kathryn Hahn, Liev Schreiber, Chris Pine
While the last decade has been the era of the superhero movie, there has remained a clear distinction between the live action and animated entries in the genre. Live action superhero movies have become the biggest show in town, genuine four-quadrant blockbusters designed to appeal to an audience much larger than just comicbook fans. The animated superhero movie, on the other hand, has maintained more of a niche status, tending to be released straight to video and remaining the property of the devoted comicbook audience. Sony Pictures’ latest attempt at rebooting their Spider-Man franchise, the aesthetically original and undeniably cinematic Spider-Man: Into the Spider-Verse, is the first animated superhero movie to really challenge that distinction. Continue reading
Director: Ruben Fleischer
Starring: Tom Hardy, Michelle Williams, Riz Ahmed, Jenny Slate, Reid Scott, Scott Haze
The tagline that adorns the marketing materials for Ruben Fleischer’s Venom reads: “The world has enough superheroes.” This is because Sony’s latest comic book blockbuster is built around… a villain (gasp). Venom has been a fan-favourite since the mid-1980s when he was introduced into the Spider-Man comics (making him one of the collection of Marvel characters that Sony retains the screen rights to thanks to their Spider-Man deal). However, by telling the story of a villain without their corresponding hero, Venom has little narrative choice but to try and transform this villain into a hero, albeit one of the anti- variety. Continue reading
Director: John Watts
Starring: Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, John Favreau, Jacob Batalon, Zendaya, Laura Harrier, Donald Glover, Tony Revolori, Jennifer Connelly
For almost a decade now Marvel has been the dominant player in the superhero movie market. Bet thanks to a pre-existing licensing agreement with Sony, they have done so without the use of their most iconic character, Spider-Man. While Sam Raimi’s first two Spider-Man films were instrumental in launching Hollywood’s present fascination with superhero movies, Sony’s more recent efforts have paled in comparison to what Marvel has been achieving and left many fans wondering ‘what if.’ However, a recent license sharing agreement between Disney and Sony has seen everyone’s favourite web-slinger enter the Marvel Cinematic Universe fold, and after a scene-stealing appearance in Captain America: Civil War, we now get his first solo outing, the appropriately titled Spider-Man: Homecoming. From the opening moments of the film, in which an orchestral version of the classic Spider-Man cartoon theme song plays over the Marvel Studios title card, there is a palpable sense of glee at having their trump card back in their hand. Continue reading
Directors: Anthony Russo, Joe Russo
Starring: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Chadwick Boseman, Daniel Bruhl, Elizabeth Olsen, Paul Bettany, Don Cheadle, Tom Holland, Jeremy Renner, Paul Rudd
Eight years and thirteen films into the Marvel Cinematic Universe, Captain America: Civil War suggests that rather than growing stale, the MCU is maturing and starting to really explore the possibilities afforded to it by this interwoven, serialised form of cinematic storytelling.
When a mission in Wakanda goes awry and innocent lives are lost, questions are again asked of the culpability of the Avengers. Coming after even grander scale destruction in New York, Washington DC and Sokovia, this is final straw. “Victory at the expense of innocents is no victory at all,” declares the Wakandan King. Secretary of State Thaddeus Ross (William Hurt, reprising his role from the forgotten MCU film, The Incredible Hulk) presents the Avengers with the Sokovian Accord, signed by 117 nations, which seeks to place them under the jurisdiction of the United Nations. Continue reading
Director: Mark Webb
Starring: Andrew Garfield, Emma Stone, Rhys Ifans, Dennis Leary, Martin Sheen, Sally Field
2012 has given us a number of high profile blockbusters which have just made you ask “why?” Most recently there was the simply awful remake of Paul Verhoeven’s Total Recall (1990)starring Colin Farrell. Prior to that you had Jeremy Renner starring in the very disappointing sequel (do you call it a sequel when the events are happening concurrently?) to the Bourne trilogy, The Bourne Ultimatum. And the film which started it all off was The Amazing Spider-Man.
The Amazing Spider-Man raised eyebrows when the project was first announced. When it became apparent that Sam Raimi and Tobey Maguire were not interested in making a fourth Spider-Man movie, Columbia and Marvel decided that rather than looking for someone to take over and continue the franchise, they would go back and start again. So what we ended up with was a reboot of the Spider-Man franchise hitting cinemas only five years after the final film Raimi’s trilogy, Spider-Man 3 (2007), and even more amazingly, only ten years after the first film in Raimi’s trilogy, Spider-Man (2002).
For a number of people, myself included, it instantly brought to mind comparisons with the two Hulk films released only five years apart, The Hulk (2003) and The Incredible Hulk (2008)… that is, beyond just the same approach of taking the old title and adding an adjective. However, there was a reason for the reboot here. Firstly, Ang Lee’s films, starring Eric Bana and Jennifer Connelly, had been a major disappointment both critically and commercially. More importantly, The Incredible Hulk was made as part of laying the foundations for this year’s superhero super-movie The Avengers (2012). So while The Incredible Hulk told a variation on the same origin story that The Hulk had, it was tying Bruce Banner’s story into that Avengers world.
But the same issues weren’t there with Spider-Man. While Spider-Man 3 had been a bit of a disappointment critically, Raimi’s films were still one of the most commercially successful trilogies in Hollywood history. Rather, the announcement of The Amazing Spider-Man appeared to be evidence of a condensing of time frames or a lack of patience in current day Hollywood. It makes you wonder how long it will be before the announcement of a Batman reboot. So that was a convoluted way of saying, I was intrigued to see what The Amazing Spider-Man had to offer. What would it be like? How would it be different?
This time round, they skew younger. Not yet a photographer at the Daily Bugle, Peter Parker is a seventeen year-old high schooler (slight suspension of disbelief required to accept the 28 year old Garfield as a teenager). Despite having appeared three times as the web slinging hero, Toby Maguire never really made the role his own. It was never impossible to think of anyone else as Spider-Man they way it is with Robert Downey Jr. as Iron Man or Hugh Jackman as Wolverine. So it is interesting to see Andrew Garfield bring a slightly different interpretation to the character. A teenage Peter Parker complete with parent issues opens up the role for a much more teen-angsty portrayal.
Webb employs a solid supporting cast. Since bursting onto the scene a couple of years ago Emma Stone has shown herself to be an incredibly versatile actress and she is doing something different again here, and does it impressively as always. Martin Sheen is one of those guys who just automatically makes a film better, and his role as Uncle Ben is no exception, with he and Sally Field adding a bit of gravitas to the roles of Peter Parker’s legal guardians.
Other than that, a lot is the same. Raimi’s films brought us “With great power comes great responsibility” and while that quote is never referenced in Webb’s film, the theme of responsibility is still there. Parker feels responsible for his uncle’s death. Parker feels responsible for the creation of his nemesis. It is a sense of responsibility, of duty, that compels him to do the things he does, and this juxtaposes quite nicely in this film with his teenage brashness when gifted with great power.
Coming out in the same year as The Dark Knight Rises (2012)and The Avengers, it was always going to take something very special for The Amazing Spider-Man to be doing anything more than fighting it out for the title of third-best comic book movie of the year, and ultimately there is nothing very special about it. It is an ok movie, which has its moments of being quite good. However, the fact that it is a reboot means that it is faced with a series of other questions. Is it better than the other Spider-Man movies? Possibly, though if it is – and a strong argument could be made for Spider-Man 2 (2004)– it isn’t better by much, probably not really enough to justify the reboot. That being said, the $262 million it made at the US box office is probably justification enough for some.
Rating – ★★☆
Review by Duncan McLean