Director: Bradley Cooper
Starring: Bradley Cooper, Lady Gaga, Sam Elliott, Andrew Dice Clay, Rafi Gavron, Anthony Ramos, Dave Chappelle
Some stories seem to compel us to reimagine and reinvent them. A classic showbiz saga, A Star is Born, starring Lady Gaga and Bradley Cooper, is a remake of the 1976 film of the same title starring Barbara Streisand and Kris Kristofferson, which was itself a remake of the 1954 film of the same title starring Judy Garland and James Mason, which was, again, a remake of a 1937 film starring Janet Gaynor and Fredric March which was called, you guessed it, A Star is Born. Each new telling of this story of two careers, one on the way up, the other on the way down, offers a slightly different perspective, a new insight. This newest telling offers reinvention in more ways than one, though, as its two stars reinvent themselves: pop music superstar Lady Gaga as actress and multiple Academy Award nominated actor Bradley Cooper as director. Continue reading
Director: James Gunn
Starring: Chris Pratt, Zoe Saldana, Bradley Cooper, Dave Bautista, Vin Diesel, Michael Rooker, Karen Gillan, Pom Klementieff, Kurt Russell, Elizabeth Debicki, Sylvester Stallone
Guardians of the Galaxy was one of the most pleasant surprises to come out of Hollywood in years. James Gunn’s space opera brought some much needed freshness and joy to not only the comic book movie genre, but the blockbuster form more generally. It also benefited from the fact that no one saw it coming. Expectations were not high. This same is not a luxury that is enjoyed by the sequel. Guardians of the Galaxy Vol. 2 has a lot to live up to.
Peter Quill (Chris Pratt), Gamorah (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper) and Baby Groot (Vin Diesel) are on the run from a race of ethereal, golden beings known as the Sovereign after Rocket stole some of the precious batteries that they had paid the Guardians to protect. Despite having been together for some time now, the team doesn’t seem to get along any better and there are clear tensions and rivalries on display. Continue reading
Director: David O. Russell
Starring: Jennifer Lawrence, Robert De Niro, Virginia Madsen, Isabella Rossellini, Edgar Ramirez, Dianne Ladd, Elisabeth Röhm, Bradley Cooper
As stated in its opening titles, Joy, is “based on true stories of daring women.” It explores the way a tenacious woman manages to survive and eventually thrive in a world determined to put her in her place. This semi-fictionalised account of the life of Joy Mangano, inventor of the Miracle Mop makes a point of never actually using the phrase “Miracle Mop,” or even the stating the surname Mangano. Rather than presenting a traditional biopic, director David O. Russell has opted for a comically exaggerated fable celebrating the American Dream and tenacious, can-do spirit.
Joy (Jennifer Lawrence) was a creative young girl from whom a lot was expected but for whom things haven’t quite panned out. Seventeen years after being named high school valedictorian she is stuck in a hole, providing for her chaotic family Continue reading
Director: Clint Eastwood
Starring: Bradley Cooper, Sienna Miller
Chris Kyle was the deadliest sniper in US military history, with 160 kills across four tours of duty in Iraq. For the Iraqi insurgents he was enemy number one – there was a $180,000 reward for killing him – for the US military he was their guardian angel. Knowing he was looking over them made them feel invincible. Kyle was a man that became a US military legend. Unfortunately, Clint Eastwood’s American Sniper is more concerned with showing us the legend than the man.
As a child Kyle’s father taught him there are three kinds of people in the world: sheep who won’t stand up for themselves and will be abused, wolves who seek to bully and harm others, and sheep dogs who are blessed with the gift of aggression and use it to protect the weak and innocent. Chris Kyle is a sheep dog. Inspired by the embassy bombings in East Africa he joins the Navy SEALS and before long finds himself in Iraq. As he grows in standing his missions become more specialised. Having been assigned to team to take out the infamous Al Qaeda operative known as ‘The Butcher,’ he also becomes obsessed with capturing an Iraqi sniper named Mustafa whose skills rival his own. Continue reading
Director: James Gunn
Starring: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel
Do you want to know just how hot a streak Marvel Studios are on at the moment? They have taken a minor comic book series about a motley crew of space adventurers that includes, among others, a green woman, a talking raccoon and a walking tree and they’ve turned it into possibly the best sci-fi adventure movie in decades.
Having been abducted from Earth as a child, Peter ‘Star Lord’ Quill travels the galaxy as a treasure hunter (read thief). Quill steals a mysterious orb, which turns out to be significantly more valuable, and dangerous, than he imagined. So he teams up with an assassin, Gamora, a pair of bounty hunters, Rocket and Groot, and the physically imposing Drax the Destroyer to sell it to the highest bidder. However, it just so happens that the orb contains one of the powerful Infinity Stones, and when it falls into the hands of the evil Ronan who plans to use it to destroy the galaxy, it falls to Quill and his rag tag bunch of misfits to save the day.
Despite being around since 1969, the Guardians of the Galaxy comic book series is not exactly a household name. This means there are a lot of new characters, places and concepts that need to be introduced to the viewer in the first act of the movie. Amazingly, though, it doesn’t become exposition heavy. Refreshingly, the film doesn’t bother giving us complete backstories and origins for all of the characters. It doesn’t seek to answer all of our questions, but rather just to give us as much information as we need. As a result, Guardians of the Galaxy doesn’t take a while to warm up; it gets rolling at the beginning and keeps going until the end.
Director James Gunn and his team have succeeded in making Guardians of the Galaxy completely different to The Avengers. After that first franchise was so successful, the temptation would have been there to copy that blueprint and import new characters and stories. But while there are minor narrative elements which connect Guardians of the Galaxy to the Avengers universe, and we will no doubt see a crossover film at some point in the future, Guardians of the Galaxy has a completely different style and tone.
For starters, it is not a superhero movie. It is a 1980s-style science-fiction adventure movie much more akin to Star Wars. This eighties resonance comes from within the narrative. Quill was abducted from Earth as a child in 1988, and as such all his points of reference are from the eighties. Similarly, the film cleverly uses music from that era to set the tone. The only memento Quill has from his life on Earth is a Walkman with a mix-tape of seventies hits his mother made for him. That mix-tape – including tracks from 10CC, Blue Swede and David Bowie – serves as the soundtrack to the movie, and from the outset of the film it is really successful in creating a very different, fun vibe.
Guardians of the Galaxy is also far and away Marvel’s funniest film. The Avengers, and in particular Iron Man, have always had that wise-cracking element of humour, but this film takes it to the next level and is legitimately comedic. Gunn and Nicole Pearlman’s screenplay is so sharp. They have given each of the characters a unique voice and can therefore draw different types of humour from each of them.
Chris Pratt is perfectly cast as Quill, bringing an irreverence to this mash up of Han Solo and Indiana Jones. It has potential to be a real star-making performance for Pratt, which could propel him from TV star to legit movie leading man. The CGI pairing of Rocket Raccoon and Groot, voiced by Cooper and Diesel respectively, were among the movie’s biggest question marks. But Rocket turns out to be a scene stealer and Groot, despite only being able to say “I am Groot” in different inflections, is used well to both comic and emotional effect.
With Guardians of the Galaxy, Marvel Studios have given us the most exciting, fun and fresh blockbuster movie in years, maybe even decades. For those of us not old enough to have been there, this could be as close as we will get to knowing what it felt like to experience Star Wars for the first time back in 1977.
Review by Duncan McLean
Have you seen Guardians of the Galaxy? Leave a comment and let us know what you thought.
Director: Derek Cianfrance
Starring: Ryan Gosling, Bradley Cooper, Dane DeHaan, Emory Cohen, Eva Mendes, Ben Mendelsohn, Rose Byrne, Ray Liotta
In 2010 Derek Cianfrance announced himself as a rising filmmaker to watch with the critical hit Blue Valentine, an intimate and emotional exploration of the beginning and the end of a marriage. His latest film, the sombre drama The Place Beyond the Pines – which takes its title from the Mohawk Indian name for Schenectady, the location of the films events – is a very ambitious project. The film is an epic, multi-generational morality tale of guilt, responsibility and consequence told in three distinct but interrelated sections.
The first section, and the most engaging of the three, concerns stunt motorcycle rider Luke played by Ryan Gosling. When Luke’s circus pulls into Schenectady, he discovers that he has an infant son in the town from his visit a year earlier. This discovery sparks a paternal instinct in him and, determined to provide for his child, he sets about robbing banks, with his skills on a motorbike provng handy for getting away. Gosling and Cianfrance worked together on Blue Valentine and they appear to bring out the best in each other, as Gosling is engrossing to watch in this role.
In the second section Luke is left behind and our focus turns to young policeman Avery Cross played by Bradley Cooper. A chance encounter with Luke thrusts Cross into the spotlight. An ambitious man, Cross finds himself on a path which will lead all the way to the office of District Attorney, along which his morals are constantly being tested. Bradley Cooper showed in Silver Linings Playbook that he does possess some acting chops and his performance as a conflicted and guilt-ridden man, while not as electric as Goslings, carries the middle section of the film.
Unfortunately Cianfrance’s film loses some momentum with its final section. Set fifteen years later, this section focuses on the sons of Luke and Avery, exploring the ways in which the influences of their fathers’ actions play out in their lives. The storyline becomes messier in this closing section. You feel a narrative shift as what had been an organic story seems to make way for what the filmmaker wants to tell us. With the focus in this closing episode being shared between the two young characters, AJ and Jason, as well as an older Avery in the process of running for District Attorney, it lacks the concentrated focus of the earlier sections.
The Place Beyond the Pines is beautifully shot by Sean Bobbitt and through these four male characters it offers an interesting exploration of masculinity, but ultimately this admirable film doesn’t quite achieve Cianfrance’s lofty ambitions. It appears to be a case of the filmmaker’s reach exceeding his grasp. Some of the lines and narrative connections the film draws just feel a bit too neat. Is the destiny of the two sons as inescapable as the film wants us to believe? Can what the film wants us to accept as fate at times be more appropriately attributed to coincidence? The attempt to engage with the age old concept of the sins of the father being visited upon the son means that what starts out seemingly as a realist story ends up becoming something more akin to classical tragedy.
Rating – ★★★☆
Review by Duncan McLean