Tagged: John David Washington

Review – Tenet (2020)

Director: Christopher Nolan

Starring: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Dimple Kapadia, Aaron Taylor-Johnson, Himesh Patel

Tenet

Christopher Nolan has been the biggest name in blockbuster filmmaking for about a decade now. As arguably the only director in the world able to mount big budget blockbusters that aren’t based on comic books or best selling young adult novels, he is no stranger to a bold and high stakes release.  However, his latest film, the temporal thriller Tenet, is seemingly the most important film of his career. Not for what it means to his trajectory but for what it means for the industry as a whole at this precarious moment in history. The Hollywood studios are caught between a rock and a hard place. Cinemas have reopened in many markets but not in others. Even where they are open, it is not known whether audiences are yet comfortable with the idea of returning to them en mass. As such we have seen studios caught in a holding pattern, sitting on their big releases unsure of the viability of releasing them into the present market. Someone had to be first to take the plunge and that was Warner Brothers. Tenet is the first legitimate blockbuster to be released into the Covid era theatrical market and will serve as a test case for whether theatrical distribution is an economically viable option for Hollywood in the immediate future. It’s an absurd weight to place on any film, particularly one as complex as Tenet.
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Review – BlacKkKlansman (2018)

Director: Spike Lee

Starring: John David Washington, Adam Driver, Laura Harrier, Ryan Eggold, Jasper Pääkkönen, Topher Grace, Paul Walter Hauser, Corey Hawkins, Harry Belafonte, Alec Baldwin

Blackkklansman

It has been almost thirty years since Spike Lee burst into the public consciousness with Do the Right Thing. In a year when the Academy gave Best Picture to Driving Miss Daisy’s comparatively trite take on race, Do the Right Thing was a cinematic primal scream, offering an uncompromising and profound look at the African American experience. Since then, Lee has somewhat unfairly born the burden of being considered the cinematic spokesperson of the African American community, with this political lens often overshadowing the aesthetic appreciation of his work. He hasn’t enjoyed the standing of some of his contemporaries in recent years and his work has varied in quality. But when faced with the madness of Trump’s America, the bat signal went up in the sky and Lee responded, returning to his sparkling best with BlacKkKlansman. Continue reading