Director: Christopher Nolan
Starring: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Dimple Kapadia, Aaron Taylor-Johnson, Himesh Patel
Christopher Nolan has been the biggest name in blockbuster filmmaking for about a decade now. As arguably the only director in the world able to mount big budget blockbusters that aren’t based on comic books or best selling young adult novels, he is no stranger to a bold and high stakes release. However, his latest film, the temporal thriller Tenet, is seemingly the most important film of his career. Not for what it means to his trajectory but for what it means for the industry as a whole at this precarious moment in history. The Hollywood studios are caught between a rock and a hard place. Cinemas have reopened in many markets but not in others. Even where they are open, it is not known whether audiences are yet comfortable with the idea of returning to them en mass. As such we have seen studios caught in a holding pattern, sitting on their big releases unsure of the viability of releasing them into the present market. Someone had to be first to take the plunge and that was Warner Brothers. Tenet is the first legitimate blockbuster to be released into the Covid era theatrical market and will serve as a test case for whether theatrical distribution is an economically viable option for Hollywood in the immediate future. It’s an absurd weight to place on any film, particularly one as complex as Tenet.