Director: David Ayer
Starring: Will Smith, Margot Robbie, Joel Kinnaman, Cara Delevingne, Viola Davis, Jared Leto, Jai Courtney, Jay Hernandez, Adele Akinuoye-Agbaje, Karen Fukuhara
Suicide Squad represents the brave next step in the stuttering DC Expanded Universe as, for the first time, it shifts its focus away from DC’s big two characters, Superman and Batman, instead looking to a band of misfit villains-turned-heroes. Redemption is the theme here. Redemption for these characters and redemption for the studio after the less than glowing reception of Batman vs Superman: Dawn of Justice.
The US government is still coming to terms with the presence of meta-humans in the world after the climactic events of Batman vs Superman. What happens if the next Superman isn’t such a nice guy? Intelligence agent Amanda Waller (Viola Davis) proposes an initiative called Taskforce X. In exchange for reductions in their sentences, a group of highly dangerous but highly gifted criminals in Belle Reve Penitentiary are engaged to fight America’s most dangerous foes. Continue reading
Director: Stuart Beattie
Starring: Aaron Eckhart, Bill Nighy, Miranda Otto, Yvonne Strahovski, Jai Courtney
Mary Shelley could never have seen this coming when she created one of the horror genre’s iconic characters back in 1818. In I, Frankenstein her creature becomes the latest classic to be reimagined for the screen via the graphic novel.
Having lived in secrecy for 200 years, Frankenstein’s monster, here named Adam, finds himself in the middle of a centuries old battle between demons and gargoyles. When a demon is killed its soul descends to hell and it can only return to Earth if it can find a living body without a soul. So Naberius, the leader of the demons, sees in Adam the secret to reanimating corpses into soulless vessels, and therefore the key to a potentially limitless army.
I, Frankenstein is the latest idea from the mind of Kevin Grevioux, the co-creator of the Underworld. That reasonably successful action/fantasy franchise concerned the ongoing war between vampires and werewolves, so I, Frankenstein is not so much a new idea as a variation on a theme. Between its effects heavy battle scenes, the movie labours through some truly ridiculous dialogue. At times this is the result of some poor writing, but largely it is because the premise of this film is such utter nonsense that when characters are forced to verbalise it they can’t help but sound ridiculous. And therein lies I, Frankenstein’s biggest problem. The film contains no acknowledgement of its ludicrousness, and therefore there is no sense of fun, humour or satire. Instead it takes itself far too seriously and it simply cannot afford to.
Turning Frankenstein’s monster into an action hero requires a stark reimaging of the famous character, so Aaron Eckhart’s monster bears little resemblance to Boris Karloff’s iconic lumbering giant. Eckhart has got himself in impressive shape for the role, so impressive in fact that in one scene in which he removes his shirt the creature even attracts a lustful double-take from Terra, the respected electrophysiologist who had been working for Naberius before she discovered his true identity. This version of the monster also does significantly more talking than any we’ve seen before. It might have made for a more interesting, if less action-packed, film if the monster was more traditional – a helpless innocent caught in the centre of this ongoing battle rather than a bad-ass butt-kicking machine.
The film closes with a voiceover from the creature in which he promises to go on fighting demons and protecting mankind, clearly setting itself up for a franchise. Fortunately I doubt we’ll ever see it. I, Frankenstein is an early contender for worst movie of the year.
Review by Duncan McLean