The Doctor of Movies’ Top 10 of 2015

Mad Max Fury Road

1. Mad Max: Fury Road (George Miller)

Thirty years on and Max is still king of the road. It is not often that you see an action movie at the pointy end of lists like this, but in 2015, at the ripe old age of seventy, George Miller took the world’s directors to school. Mad Max: Fury Road showed that a singular creative vision can elevate the action film to the level of art. Miller effectively tapped back into that part of his imagination where Max resides and delivered a visually stunning, kinetic action masterpiece. Tom Hardy steps into Mel Gibson’s shoes but Charlize Theron is the real star. Full review

Birdman

2. Birdman or (The Unexpected Virtue of Ignorance) (Alejandro G. Iñárritu)

It is exciting to see something you have never seen before, an entirely original cinematic vision. There is no other way to describe Alejandro G. Iñárritu’s Birdman. While much was made of its visual style, with the whole film appearing to be one continuous shot, Birdman is so much more than a single shot gimmick. Birdman has complete unity of form and vision. Every cinematic element, without fail, is consistent with Iñárritu’s vision and the thematic concerns of the film. The casting of Michael Keaton and subsequent critical acclaim for his performance also made for one of the stories of late 2014/early 2015. Full review

Me and Earl and the Dying Girl

3. Me and Earl and the Dying Girl (Alfonso Gomez-Rejon)

Me and Earl and the Dying Girl is a special little movie, an indie which won over audiences on the festival circuit before getting a theatrical release. It is a coming-of-age story about an insecure high school senior, and aspiring filmmaker, whose mother insists that he befriend a girl from school who has been diagnosed with leukaemia. Genuinely funny without ever undermining the seriousness of its subject matter, touching and poignant without being schmaltzy or overly sentimental, the film is a beautifully affecting piece of cinema brimming with youthful creativity. Full review

Ex Machina

4. Ex-Machina (Alex Garland)

The directorial debut from screenwriter Alex Garland, Ex Machina is great small science fiction. A young programmer is invited by his enigmatic boss to put a humanoid robot he has created through a Turing test, a series of interviews intended to determine whether she has achieved artificial intelligence. With only three real characters, Ex Machina is an impressively performed chamber piece which draws its drama out of conversations and dialogue. Shot on a modest budget, that money has clearly been spent in the right places because the visuals are outstanding, with the robot, Ava, being one of the year’s best CG achievements. Full review

Martian

5. The Martian (Ridley Scott)

After a pretty underwhelming last decade, Ridley Scott returned to form with The Martian. Following the fight to survive of a botanist left stranded on Mars, it is a different type of science fiction film, one that turns on the solving of problems and seeks to excite us more with its intellect and ideas than with explosions. Carried by the charismatic performance of Matt Damon, The Martian is enjoyable, irreverent and absorbing, a much lighter film than you might expect after reading the one line synopsis. It also features a great disco soundtrack. Full review

Star Wars VII - The Force Awakens

6. Star Wars: The Force Awakens (J.J. Abrams)

In the hands of a director, J.J. Abrams, who grew up with Star Wars and understood what the fans loved about it, The Force Awakens managed to recapture the look, feel and fun of the original trilogy. A transitionary film, it allowed us to catch up with beloved old characters while also introducing a collection of engaging new ones who will carry the franchise forward. Faced with almost impossible levels of expectation, to have people walking out of The Force Awakens not underwhelmed would have been a victory. That audiences have come out of not just satisfied but genuinely excited is a testament to how good it is. Full review

Creed

7. Creed (Ryan Coogler)

Sometimes a film gives you something you didn’t even know that you wanted. There were very few people openly hoping for a seventh Rocky movie, but writer-director Ryan Coogler’s Creed, functioning at the same time as a sequel and a remake, was the pleasant surprise of the year. The first Rocky film not written by Stallone, Creed offers a fresh take on the material, knowing when to lean into the cliché and when to turn it on its head. While Rocky himself is only a supporting character in this story, Sylvester Stallone delivers a career best performance. Full review

Inside Out

8. Inside Out (Pete Docter & Ronaldo Del Carmen)

Taking us inside the mind of an eleven year old girl with a cast of characters made up of anthropomorphised emotions, Inside Out arguably represents the zenith of Pixar’s bold originality. Co-directors Pete Docter and Ronaldo Del Carmen employ sophisticated visual metaphors to simply and effectively explain how memory, personality, subconscious and dreaming all work. Deceptively simple yet deeply profound, Inside Out is a beautiful film about growing up, farewelling the simplicity of childhood and learning to appreciate the full gamut of emotions that bring depth and texture to life. Full review

Inherent Vice

9. Inherent Vice (Paul Thomas Anderson)

Finally The Big Lebowski has a friend in the ‘stoner noir’ subgenre. Inherent Vice is the most flat out enjoyable of Paul Thomas Anderson’s films (a filmmaker whose work in the past I have tended to appreciate rather than enjoy). Set in early 1970s California and featuring some magnificent costumes, Inherent Vice is an aggressively, unapologetically confusing mystery which will require a second or third viewing to comprehend the ins and outs of its multiple narratives. But if you can embrace the confusion and go with the flow, it will only take one viewing to enjoy this humorous head-scratcher. Full review

Listen to Me Marlon

10. Listen to Me Marlon (Stevan Riley)

Not the most high profile doco of the year, but it was the pick of them for mine. During his life Marlon Brando made hundreds of hours of audio recordings of himself: memos, memories and recollections, self-hypnosis tapes. Listen to Me Marlon uses these recordings to narrate a biographical documentary on the legendary actor. The result is practically a posthumous autobiography, an intimate exploration of a brilliant but tortured soul. Amusing, intriguing, sometimes funny and often quite sad, it is a unique documentary befitting a unique talent. Full review

The Next Best (alphabetical): ’71 (Yann Demange), Bridge of Spies (Steven Spielberg),  The Imitation Game (Morten Tyldum), A Most Violent Year (J.C. Chandor), Selma (Ava DuVernay), Trainwreck (Judd Apatow)

The Worst Movie of the Year:

Interview

The Interview (Seth Rogen & Evan Goldberg)

If there was one winner out of the Sony hacking scandal it was this horrible film. Cyber terrorists demanding that Sony not release this comedy about an attempt to assassinate Kim Jong-un was a sure fire way of turning a film that would otherwise have shuffled quietly into obscurity into one of the must-sees of early 2015. Attention grabbing concept aside, The Interview did not warrant this spotlight.

 

Advertisements

One comment

  1. Andrew

    For me I think the worst movie is a toss up between The Interview, 50 Shades of Grey (to be fair, I turned it off about 30 mins into it), Jupiter Ascending (why I saw this at the cinemas I don’t know) and Fantastic Four. I have money on that 2016 worst movie will be the all female Ghostbusters reboot. I have no idea why the world needs this.

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s