Directors: Phil Lord, Christopher Miller
Starring: Channing Tatum, Jonah Hill, Ice Cube, Amber Stevens, Wyatt Russell, Peter Stormare, Jillian Bell, Nick Offerman
At a time when we like our popular comedy dripping with irony, the directing partnership of Phil Lord and Christopher Miller is steadily rising to the top of the pack. After solid success with their debut feature Cloudy with a Chance of Meatballs, and surprising success with the television remake 21 Jump Street, Lord and Miller had a legitimate popular and critical hit earlier in the year with The Lego Movie. With all three of those films, the pair took a project which was far from a sure thing and turned it into a hit with their unique and clever style of humour. But 22 Jump Street marks their biggest challenge yet, a sequel.
Having successfully gone undercover at a local high school to blow open a drug ring, the odd-couple of Schmidt and Jenko are back to do it all again. Now too old to pose as high schoolers, the pair are off to college where a new drug known as WHY-PHY (Work Hard, Yes – Play Hard, Yes) has claimed its first life. However, just like last time, the social politics of student life puts pressure on their investigation and bromance as the two find themselves moving in different circles – Jenko with the football crowd and Schmidt with the art students.
The plot sounds repeated and generic, but the beauty of this movie is in its complete self-awareness. At the beginning of the film, the two cops are called into the office of Deputy Chief Hardy who informs them that his superiors were pleasantly surprised by the success of the rebooted Jump Street program so have decided to do it again. They want it to be exactly the same as last time, although because they know it can be successful, the department has been given a bigger budget. He also informs them that they have had to move out of the abandoned Korean church at 21 Jump St, but were able to find an abandoned Vietnamese church across the road at number 22, which will now be their base. All of this is pointless, he adds, because everyone knows that nothing ever works as well the second time around. By winking at the audience, 22 Jump Street is able to not only parody buddy cop movies and college movies, but also blockbuster sequels.
They weren’t kidding about the upped budget either. 22 Jump Street is a noticeably bigger film than the first one, with a number of large scale action sequences, chases and explosions. These scenes aren’t particularly exhilarating in themselves, but they are there to allow the film to joke about action-comedies like Bad Boys or Lethal Weapon rather than as part of a serious attempt to be one of these films. 22 Jump Street is first and foremost a comedy, and it manages to be quite clever, while still engaging in more than its fair share of pratfalls and crude humour (of the sexual rather than toilet variety).
Much of the success of the film, like the first instalment, is down to Jonah Hill and Channing Tatum. This seemingly unlikely pair displays an easy chemistry. They appear really comfortable riffing off one another and the film has a very loose style that allows them to do that. While Hill has always been known as a comic actor, Tatum’s comedic chops were a revelation in 21 Jump Street and he is again really charming here as the muscle bound doofus, Jenko.
While Marvel have, in recent years, made an art form out of the post credits teaser, 22 Jump Street uses its credit sequence to deliver one of its funniest scenes. Parodying the trajectory of blockbuster franchises, the credits deliver a series of teaser trailers for sequels from 23 through to about 40 Jump Street, with the pair going everywhere from dance school to beauty school to culinary school and various gimmicks and cast changes along the way. Amazingly, given that this sequel achieves the rare feat of exceeding the first instalment, you leave the film with the distinct impression that this franchise is not planning to outstay its welcome.
Review by Duncan McLean
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